Current Exhibitions
CONTEMPORARY ART / TAOS 2020
CA/T 2020 is a juried exhibition of artists currently living and working in Taos county or with deep roots here.
LAS SANTERAS: Images of Faith and Folklore
The first major exhibition of its kind, “Las Santeras” celebrates the influence of contemporary female carvers working with the cultural devotional arts of New Mexico and Colorado.
Dean Pulver: Elemental Resonance
Dean Pulver is interested in making pieces that are resonate and reflective. Pulver finds that in using forms that are basic and elemental, there becomes an openness to creating multi-referential...
Larry Bell: Cubic Propositions
To celebrate Larry Bell and his 80th birthday, the Harwood Museum of Art presents Larry Bell: Cubic Propositions highlighting his ongoing investigation of the cube. The exhibition opens Friday,...
Early Twentieth Century & Taos Society of Artists
The Dorothy and Jack Brandenburg Gallery features works by members of the Taos Society of Artists, as well as other significant works from the early twentieth century from the Harwood’s permanent...
Contemporary works from the Harwood Collection
The line dividing one era from another often cannot be defined precisely. The decades of the sixties and seventies witnessed the death of people who had once been of great significance to the Taos...
Collection of Northern New Mexico Hispanic Works
The Harwood Museum is fortunate to have an important collection of Hispanic works that covers a broad range of the historic traditions of northern New Mexico. Paintings as well as objects in tin...
Ken Price, "Death Shrine I" from "Happy's Curios"
An ongoing installation of Ken Price's "Death Shrine I" from the "Happy's Curios" series.
In December 2010 the Harwood Museum of Art installed Ken Price's "Death Shrine I" from the "Happy's...
Agnes Martin Gallery
The Agnes Martin Gallery features seven paintings by the internationally acclaimed artist. These works were created in 1993 when Martin returned to Taos. This gallery was built specifically for...
